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A traditional boy band type ballad, there really isn’t any surprise to Brian McFadden’s new sob story Like Only A Woman Can. Initially I was pleased to hear there were more guitars than violins throughout the song, which is a nice change to the traditional, stock standard ballad regularly churned out these days. I was wrong. 45 seconds into the track the violins kick in and I assume every woman is expected to begin swooning over the wimpy, romantic and fairly predictable lyrics from Mr. Deltra Goodrem. It’s hard not to wonder if he wrote this song specifically for her, and although it is an incredibly cockle-warming thought to know two spunky young people are totally in lurrrrrve, it lacks the ability to really make a lasting impression on anyone.


Perhaps he’ll be able to capitalize on some soon-to-be wedded couples who will, in their loved-up state of mind think this is an incredibly sincere and dreamy track to have as their bridal waltz, but I’m afraid this song really shows no individuality or distinction to anything else mass produced by any other English (or in this case Irish) post-boy band heart throb.

Sure, the lyrics are sweet and the chorus is very, very catchy, but so what? Queue violins. Again.

The cheesy video clip doesn’t do any favours for McFadden either. Although possibly looking the best he has ever looked (congrats to the make up and hair gurus), the whole thing revolves around McFadden searching, and finally finding, his ‘woman’ – a Delta look-alike which you only ever see from behind. Pur-lease.

Fortunately for McFadden, people love a soppy love ballad, which means that sticking to the tried and true format which he so obviously has will likely bring him chart success, but not for long, and within three months we will have forgotten it was ever released. Just like that other song from what’s-his-face….

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You’d be forgiven to think Axel Whitehead’s new single I Don’t Do Surprises was the newest piece of magic from world renowned Coldplay. Vocals and arrangements bear an incredible resemblance to the sound Chris Martin made so famous, and the production quality really does hold it’s own against any other international artist.

Whitehead has times his comeback incredibly well to the point that people still remember him for that unfortunate incident at the MTV Music Awards, but have completely forgotten his part in Australia Idol, a stigma that is hard to shake and even harder for the general public to embrace.

I Don’t Do Surprises beings with a refreshingly simple yet effective guitar and drum sequence. It is quickly followed by Whiteheads light, airy vocals, which are incredibly easy to relax into. It makes listening to this single an utter joy. If the catchy chorus doesn’t drag the listener in the funky, fast paced bridge certainly will. The lyrics are smart, the musical arrangements clever and this cracker track is simply a hit waiting to be realised. I predict it’ll shoot up the charts as the weather cools down.

The video clip is also of an edgy quality. Going for a shadowy, funky image, this clip bears some real resemblance to The Verve’s Bitter Sweet Symphony (i.e. lots of walking and little acknowledgment of the unusual activity unraveling around him). Its fun to watch, and be ready to see some pixilated naked women. Hmmm.

I Don’t Do Surprises is a enjoyable, pop/rock track, and considering the popularity of Coldplay and the lack of intelligent, edgy home-grown talent, it’s sure to catapult the unfortunate ‘national flasher’ into national stardom.

Axel Whitehead I Don’t Do Surprises is released by Roadshow. Check out their website for release date. Otherwise get downloading on iTunes now!

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Madonna & JT - 4 Minutes

March 25th 2008 22:09
Madonna & JT – 4 Minutes

The first single from Madonna’s new album Hard Candy, ‘4 minutes’ featuring Justin Timberlake, was a pleasant surprise.

I initially thought the match up of Magde and JT was a little crass after she’d been such a publicly enormous fan of Britney Spears. Awkward. Now I’ve heard what this power couple can create in the music world I’m left wondering why it didn’t happen earlier.

This incredibly powerful electro cross hip hop influenced track with its prominent trumpet base builds an unwavering foundation which also sees the song deliver a touch of Gwen Stefani’s What You Waiting For thrown in for good measure. It’s an incredible combination of both Madonna and JT’s style, with a Sexyback feel mixed with Madonna’s Get Together (Confessions of a Dance Floor).

The beat of 4 Minutes is like nothing else. It’s almost confusing at first. The vocals are also a unique combination of slow and fast-paced, leaving any listener feeling like they can conquer the world if they can simply conquer the lyrics.

Any listener will be hard pressed not to feel themselves being transformed into either into Madonna or JT while listening to this song. Be prepared to find yourself dancing around the kitchen pretending to be the new-age, hard arsed Madge (less the cigar or walking stick) in front of your disinterested cat.

Ironically, ‘4 minutes’ runs only for only 3 minutes 12 seconds, but every second of this is jam packed with action. This power couple has been able to leave the listener wanting more – and hopefully getting more with the release of Hard Candy, expected around 25th April.
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